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DO MORE WITH YAMAHA DM3 DIGITAL MIXING CONSOLE
The DM3 Series comprises two models, the DM3 Standard and the DM3—the first compact console to be fully compatible with Dante technology, allowing for faster and easier setup with multiple devices. Both consoles feature a multi-language user interface that can be configured to make operation simple and trouble-free for users with different backgrounds and varying skill levels.
Equally at home in a live performance venue or your home studio, it’s easy to imagine taking a DM3 Series console to a gig, recording and streaming the audio, and then taking it home for editing as part of your DAW setup. Alternatively, you could use it as a main mixer for a small performance one day, and as a sub-mixer for live streaming the next—the possibilities are endless.
The ideal starting point for any audio engineering endeavor is transparent, uncolored sound. All Yamaha mixers are built on that philosophy, with the goal of allowing engineers to capture the on-stage sound accurately, without coloration, and then add creative touches as required.
Capable of sampling rates as high as 96 kHz despite its compact size the DM3 Series continues this legacy of sonic purity, offering you the perfect starting point for mixing, recording, live streaming, or even installed applications.
Perhaps the most significant advantage of a digital console is the ease of operation and accessibility of powerful functions and features that would otherwise require a higher level of user experience as well as more outboard gear to actualize in an analog setup. The DM3 Series exemplifies a “less is more” design philosophy, utilizing a 9” touchscreen and a single Touch & Turn knob for managing most of the console’s operations, resulting in a user experience reminiscent of a smartphone.
PRODUCT INFORMATION
The portable DM3 Standard compact digital mixing console features versatile capabilities that make it perfect for a wide range of applications. The DM3 Standard offers superb sound quality, fast and easy setup and operation, and professional-level features.
DM3 Standard | ||
---|---|---|
Mixing Capacity | Input Channels | 16 mono + 1 stereo + 2 FX return |
Mix Buses | 6 | |
Matrices | 2 (Supports Input to Matrix) | |
Stereo Buses | 1 | |
FX Buses | 2 | |
Cue Buses | 1 | |
I/O Connectors | Analog Input | 16 Mic/Line (12 XLR + 4 XLR/TRS Phones Combo) |
Analog Output | 8 (XLR) | |
Dante | - | |
Network | 1 (RJ-45) | |
USB TO HOST | 1 (USB Type-B, USB2.0) | |
USB TO DEVICE | 1 (USB Type-A) | |
Phones | 1 (TRS Phones) | |
DC | 1 (XLR 4pin, DC power IN) | |
User Interface | 1x 9-inch multi-touch screen, 9x faders (8 channels + 1 main), 1x "Touch and Turn" rotary encoder | |
Recording & Playback | PC/Mac | Recording 18 track, Playback 18 track |
USB storage device | Recording 2 track (USB hard disk / SSD / flash memory), Playback 2 track (USB hard disk / SSD / flash memory) | |
Sampling frequency rate | 96 kHz / 48 kHz | |
Signal delay | Less than 1.3 ms, (CH INPUT to OMNI OUT, Fs=96 kHz) | |
Frequency response | +0.5, -1.0 dB 20 Hz-20 kHz, reference to the nominal output level@1 kHz, INPUT to OMNI OUT | |
Total harmonic distortion | Less than 0.01 % 20 Hz - 20 kHz@+4 dBu into 10 kΩ, INPUT to OMNI OUT, Input Gain= Min*1 | |
Hum & noise level | Equivalent input noise | -126 dBu typ., Input Gain= Max. |
Residual output noise | -84 dBu, ST main off*2 | |
Dynamic range | 110 dB typ., DA Converter, 106 dB typ., INPUT to OMNI OUT, Input Gain=Min. | |
Crosstalk | -100 dB, adjacent INPUT/OMNI OUT channels, Input Gain= Min. @1 kHz*3 | |
Power requirements | DC24 V/2.5 A, PA-L500 (100 V-240 V, 50 Hz/60 Hz) | |
Power consumption | 43 W | |
Dimensions | W | 320 mm (12.6") |
H | 140 mm (5.6") | |
D | 455 mm (18.0") | |
Net weight | 6.5 kg (14.3 lb) | |
Included Accessories | Owner's Manual, Power Adapter, Download Information | |
Accessories | RK-DM3 | |
Operating temperature | 0 - 40 °C | |
Storage temperature | -20 - 60 °C |